Condition. This is a ex-library (non-circulating) book. The 11th plate is missing and a facsimile photograph for the plate is provided. The final plate is detached and has light foxing. The boards are heavily worn with large areas of the paper missing and several chipped and broken areas on the edges. There is a library number on the front board (black numbers against a red background). While the boards are attached, there is splitting at the hinges. There is bowing to the covers and the plates. There is a large Haverford College bookplate with an accession date of 1886 and ancillary markings. There are small circular ink library stamps on the title page and in the blank margins of most of the plates. On the front free endpaper there is a manuscript signed gift inscription by W[illis] Norton Whitney which reads: "Presented to the Library of Haverford College, January 14, 1886." On page 3 there is an ink notation "See the use of stone knife in circumcision." Dr. Whitney was an American physician living in Japan at the time and the author of several books and articles on Japan. Pages 7 through 10, "Japanese Caves" and "Japanese Ancient Pottery," are repeated after page 14. Thus the text pagination is pages 1-14, pages 7-10 (repeated) and pages 15-22. This is a very scarce book in any condition.

Haverford College Bookplate:

W. Norton Whitney Gift Inscription:

 
von Siebold, Heinrich Philipp (Henry):
Notes on Japanese Archaeology with Especial Reference to the Stone Age by Henry von Siebold, with 12 Photographic Plates, Typography of C. Levy, Yokohama, typography (text) by C. Levy, 1879, 4to (9 1/2 x 13 3/4  in - 24.5 x 36 cm), printed paper covered boards with green cloth spine, preface (I-III), 12 albumen photograph plates, 22 pages of text. The last four pages of the text (pages 19-22) contain tables titled "Explanation of Photographic Table" These tables provide the details regarding of the 285 items pictured and numbered in the plates. The plates are composed of original sepia tone albumen photographs tipped to card stock. The individual photographs can be characterized as large size photographs, approximately 7 1/2 x 9 1/2 inches (or slightly larger) each. Above each photograph is a tipped on heading indicating the "Table" (Plate) number. Each object shown in the photograph is identified by a small manuscript number etched in white adjacent to it. These numbers correspond to the detailed information found in the four pages of "Explanation of Photographic Table" found in the text portion of the book.

The four pages of tables provide the details on each object pictured in the plates and this includes the name of the item transliterated into English, a brief description of the object, the place of discovery, the material the object is made of and related notes which generally provide more precise information as to where the object was discovered

At this time in Japan the half-tone process for reproducing images for books was not in commercial use. The primary method for low cost reproduction was through black and white woodcut engraving. Other printing techniques available included engraving (copper, steel etc), lithography and woodblock processes. The high quality collotype printing process was not available in Japan at this time. Kasumasa Ogawa, the leader in that form of printing in Japan, would not learn that technique until 1883-4. The only available high quality process to reproduce photographic images at this time was to actually tip the original albumen photographs into the publication. This was a relatively expensive and tedious process and publications at this time with actual tipped in photographs are a striking exception to the norm. Click here for a listing of Japan related books of this nature which I have recorded.

Henry von Siebold (1852-1906) was the son of noted Japanologist and physician Philipp Franz von Siebold (1796-1866). His father was a resident physician at the Dutch East Indian Company trading concession at Deshima from 1823-1829. Philipp Franz von Siebold was expelled from Japan in 1829 under suspicion that he was spying for European powers. After leaving Japan he authored several very important books on Japan. His seven part set published between 1832 and 1852 titled, Nippon. Archiv zur Beschreibung von Japan und dessen Neben- und Schutzländern: Jezo mit den Südlichen Kurilen, Krafto, Koorai und den Liukiu-Inseln, was illustrated with over 350 lithographic plates and provided the world an amazing view of the people, culture, government, flora and fauna and geography of a then closed Japan. Philipp Franz von Siebold consulted with Commodore Perry prior to the Japan Expedition (1853-4) but was unsuccessful in his effort to become a member of the American expedition that ultimately opened Japan to the outside world.

Henry Von Siebold was employed at Austro-Hungarian Embassy in Tokyo starting in 1869. Like his father, he was an avid collector of Japanese artifacts and he was active in archaeological excavations in Japan. This book was a result of that avocation. Based upon his archaeological work and study of Japanese history and lore, he believed that the Aino were the indigenous people of prehistoric Japan and that their domain extended down as far as the Yedo (Tokyo) Bay area. He also held that they were subsequently conquered and pushed north by the race of people currently known as Japanese. He states this thesis in the Preface this way:

But even if we do not believe in these old historical records, yet more trustworthy ones consist in the implements etc. which they left behind, and on which I shall comment in detail. These give sufficient proof that the earliest inhabitants were none other than the present inhabitants of Yezo [the Aino], who at no very remote period will have disappeared even from there. (Preface at page II)

 
Title Page

 
Table of Contents

 
Preface is here.

 
Explanation the of Photographic Table

Page 19


Page 20


Page 21


Page 22

 
Summary of Items Listed in the Explanation of Photographic Tables

Table Plate No.    Numbered Objects

I.                       15
II.                      23
III.                     36
IV.                      33
V.                       47
VI.                      27
VII.                     28
VIII.                     9
IX                       15
X                        11
XI                       38 (not present in this book)
XIX                       3

       Total Objects....285

 
Albumen Photograph Plates (Tables)

Table I.


Table II.


Table III.


Table IV.


Table V.


Table VI.


Table VII.


Table VIII.


Table IX.


Table X.


Table XI. (Facsimile)


Table XII.

 
Close-up of an Albumen Plate

Plates tipped to Stubs at Rear

 
Publications Relating to Japan During the Period from 1860-1882 with Tipped in Albumen Photographs. The practice of illustrating books or articles with albumen photographs during this time period was very limited. As a general rule at this date, illustrations would be created by one of the various engraving techniques (wood, steel etc), lithography or woodblock processes. Publications at this time with actual tipped in photographs are a striking exception to the norm. Below is a listing of the publications using tipped in albumen photographs that I am aware of during this period (ie 1800 through the early 1880s).

• 1860, Westfield, T.C. (Thomas Clark), The Japanese, Their Manners and Customs with an Account of the General Characteristics of the Country, its Manufactures and Natural Productions: Originally Delivered as a Lecture, at the Marylebone Literary and Scientific Institution. This book contained 6 tipped in stereograph photographs. More information here.

• 1864, Wolff, Fr., Album von Ost-Asien Düsseldorf und Mönchen-Gladbach, Ad. Spaarmann, 1864, large 4to, 30 hand color photographic plates, 60 pp (not all photographs are of Japan. here.

• 1868, Felice A. Beato, Native Types and Views of Japan, Photographic Views of Japan with Historical and Descriptive Notes, Compiled from Authentic Sources, and Personal Observations During a Residence of Several Years (with letterpress by James W. Murray and Native Types, Yokohama, 1868. A two volume set. Each volume contains approximately 100 tipped in albumen photographs. More information here.

• 1868, Felice A. Beato, Photographic Images and Customs of Japan, 1868, 4to. More information here.

• 1870-1878, John Reddie Black, The Far East, a periodical first published in Japan and later Hong Kong. More information here.

• 1873, Mittheilungen der Deutschen Gesellschaft fur Natur-Und Volkerkunde Ostasien's. Herausgegeben von dem Vorstande, Part 2 (July 1873) and Part 4 (January 1874) have been confirmed with tipped in albumen photographs. These are the only issues from Part 1 to 6 with tipped in albumen photographs. Is is likely that other issues of the periodical contained tipped to page or plate albumen photographs. For more information on Part 2 and Part 4, click here.

• ca 1877, Stillfried & Andersen, Views and Costumes of Japan, photographic book said to contain 96 albumen photographs taken by Stillfried and Beato. Also reported with 45 albumen photographs. More information here.

• ca 1877, H.H. Bennett, Kilbourn City, Wisconsin, A Summer in Japan. A series of 26 sterographs reproducing images taken by William H. Metcalf when he visited Japan in 1876 or 1877. Albumen photograph stereoviews. Not sold in book form. For more information, click here.

• 1878, Tarumatsu Wada (editor & publisher), Tokaido Gojusan Tsugi. Views of the 53 stages of the Tokaido as depicted in Hiroshige prints on 28 pages of albumen photographs. More information here.

• 1879, various authors, Sashin Shimbun. Illustrated by albumen photographs. More information here.

• 1879, Henry von Siebold, Notes on Japanese Archaeology with Especial Reference to the Stone Age by Henry von Siebold, with 12 Photographic Plates, Typography of C. Levy, containing 12 large sepia tone albumen photographs tipped to plate. More information here.

• 1880, John Milne, Prehistoric Remains, Notes on Stone Implements from Otaru and Hakodate, with a Few General Remarks on the Prehistoric Remains of Japan. An article with 5 tipped in sepia tone albumen photographs. More information here.

• ca 1880, Baron Raimund von Stillfried, Views and Costumes of China and Japan. An album with 70 handcolored albumen photographs. More information here.

• 1882, Thomas Van Buren, Labor in Japan - together with - Pottery and Porcelain Industries of Japan Contains eleven (11) hand colored albumen photographs. More information here.

All the books listed above prior to 1880 are very scarce and seldom seen on the market. None of these publications approached the massive use of albumen photographs seen with The Far East.

 
In The Advent of Photography in Japan, published jointly by the Tokyo Metropolitan Museum of Photography, Tokyo and the Hakodate Museum of Art, Hokkaido, 1997, the front covers of two issues of the 1871 Far East are shown at page 73. This book served as a guide for exhibits in Tokyo and Hakodate by the same name held in 1997. Each of the covers shown has a tipped in photograph of approximately 40% of the page.

 
Early Japan Related Books Illustrated with Tipped in Albumen Photographs.

 
Note A. (1862)
Westfield, T.C. (Thomas Clark):
The Japanese, Their Manners and Customs with an Account of the General Characteristics of the Country, its Manufactures and Natural Productions: Originally Delivered as a Lecture, at the Marylebone Literary and Scientific Institution, London, Photographic News Office, 1862, 4to. One of the earliest books to contain actual photographs of Japan. These were in the form of six tipped in stereograph photographs. The photographs are attributed variously to A.A.J. Gower (a British consular official), or professional photographers Rossier (French) or W. B. Woodbury (British).

 
Note B. (1864)
Wolff, Fr.:
Album von Ost-Asien, Düsseldorf und Mönchen-Gladbach, Ad. Spaarmann, 1864, large 4to, 30 hand color photographic plates, 60 pp. Plates include images of Japan, China, British India, Siam and Luzon.

 
Note C. (1868)
Beato, Felice A.:
Native Types and Views of Japan, Photographic Views of Japan with Historical and Descriptive Notes, Compiled from Authentic Sources, and Personal Observations During a Residence of Several Years (with letterpress by James W. Murray and Native Types, Yokohama, 1868. A two volume set. Each volume contains approximately 100 tipped in albumen photographs. Opposite each photograph is a printed descriptive caption. The Views volume is entirely black and white while the Types volume contains hand colored albumen photographs. Beato's use of artists to hand color photographs was a pioneering effort which would rapidly expand over the next 30 years. Charles Wirgman, the noted artist and satirist, is said to have colorized many of the photographs for these books. James W. Murray, who provided the descriptive text for the photographs, was a noted author of travel guides for Japan. The albums were very expensive and cost the equivalent of $200 at the time. Many of the images have vignetted edges which was typical of Beato's work. In 1877 Beato sold his studio to Baron Stillfried. You often see Beato's photographs with English titles added to the negative by Stillfried.

 
Note D. (1868)
Beato, Felice A.:
Photographic Images and Customs of Japan, 1868, 4to. A photographic type album of mounted hand tinted albumen prints that have the information relating to the image attached verso. One photograph is titled "Sentence" and shows a condemned man affixed to a cross.

 
Note E. (1868)
Stillfried-Ratenicz, Baron Raimund von,
Andersen, H.:
Views and Costumes of Japan, photographic book said to contain 96 albumen photographs taken by Stillfried and Beato. The book is oblong folio (19.5 x 24.4 cm). The majority of the photographs are hand colored and some have the number or titles in the image and some with have titles written in pencil below the image. Mounted on pages front and back. There is a albumen frontispiece titled "Views & Costumes of Japan by Stillfried & Andersen, Yokohama." I have also seen this book described with 45 albumen photographs (23 colored, 22 black and white). While not dated the approximate date of the book can be determined from know facts. The Stillfried and Andersen association ran from 1876 through 1879. That firm took over Beato's stock of photographs in 1877 and they were used extensively in this book. While the publication date is approximated as 1877, the photographs are generally from mid-1860s through the early 1870s when Beato was most active as a photographer.

 
Note F. (ca1877)
Stillfried-Ratenicz, Baron Raimund von
Andersen, H.:
Views and Costumes of Japan, photographic book said to contain 96 albumen photographs taken by Stillfried and Beato. The book is oblong folio (19.5 x 24.4 cm). The majority of the photographs are hand tinted and some have the number or titles in the image and some with have titles written in pencil below the image. Mounted on pages front and back. There is a albumen frontispiece titled "Views & Costumes of Japan by Stillfried & Andersen, Yokohama." I have also seen this book described with 45 albumen photographs (23 colored, 22 black and white). While not dated the approximate date of the book can be determined from know facts. The Stillfried and Andersen association ran from 1876 - 1879. That firm acquired took over Beato's stock of photographs in 1877 and they were used extensively in this book. While the publication date is approximated as 1877, the photographs are generally from mid-1860s through the early 1870s when Beato was most active as a photographer.

 
Note G. (1878)
Wada, Tarumatsu (editor & publisher):
Tokaido Gojusan Tsugi, Japan, Tarumatsu Wada, 1878, photographic (albumen) views of the 53 stages of the Tokaido as depicted in Hiroshige prints, 10 x 6 cm. The views are shown in 28 pages of albumen photographs. Wooden boards with title in ink on front and back.

 
Note H. (1879)
Various authors:
Sashin Shimbun, Zenshin-sha, 1879, contained tipped in albumen photographs. The publication had a short life span of only approximately 10 issues.

 
Note I. (1879)
von Siebold, Heinrich Philipp (Henry):
Notes on Japanese Archaeology with Especial Reference to the Stone Age by Henry von Siebold, with 12 Photographic Plates, Typography of C. Levy, Yokohama, typography (text) by C. Levy, 1879, 4to (9 1/2 x 13 3/4  in - 24.5 x 36 cm), printed paper covered boards with green cloth spine, preface (I-III), 12 albumen photograph plates, 22 pages of text. The last four pages of the text (pages 19-22) contain tables titled "Explanation of Photographic Table" These tables provide the details regarding of the 285 items pictured and numbered in the plates. The plates are composed of original sepia tone albumen photographs tipped to card stock. The individual photographs can be characterized as large size photographs, approximately 7 1/2 x 9 1/2 inches (or slightly larger) each. Above each photograph is a tipped on heading indicating the "Table" (Plate) number. Each object shown in the photograph is identified by a small manuscript number etched in white adjacent to it. These numbers correspond to the detailed information found in the four pages of "Explanation of Photographic Table" found in the text portion of the book. For more information on this book, including pics of 11 of the 12 photographs, click here.

 
Note J. (1880)
Milne, John:
Prehistoric Remains, Notes on Stone Implements from Otaru and Hakodate, with a Few General Remarks on the Prehistoric Remains of Japan, Yokohama, extracted from Transactions of the Asiatic Society of Japan, Volume VIII, 1880, 8vo, 5 tipped in sepia tone albumen photographs, one engraved drawing and one folding map, pages 61-87. For more information on this article, click here.

 
Note K. (ca 1880)
von Stillfried, Baron Raimund:
Views and Costumes of China and Japan, Yokohama, not dated (ca 1880), album with 70 handcolored albumen photographs. The front cover is a montage. Photographs generally measure 7 1/2 x 9 1/2 in and are mounted on heavy card stock and protected by tissue guards. Images fall into the following general areas: Enshima (1), Nagasaki (11), Papenberg (4), Sofkudji (1), Fukuya (1), Tenodji (1), Megane-Bashi (1), Kiyomidzo (2), Choin (1), Honwandji (2), Ketang (2), Karasaki (1), Ishiyama (2), Nari (5), Kanasawa (1), Daibutz (2), Hasse (1), Tomioka (1), Tokaido (1), Mandarin Bluff (1), Kiga (1), Goten (2), Fusiyama (2), Nikko (8) Saruhashi (1), Yumoto (4), Asayama (2) Shua (2), Fukiage (1), Asakuja (1), Odji (1) and Uyendo (2). Baron von Stillfried lived in Japan 1867-1883. While he was an accomplished photographer, he also purchased the stock of Felice Beato in 1877 and the merger of the Beato stock with his work/stock complicates identification of his works.

 
Note L. (1882)
Van Buren, Thomas B.:
Labor in Japan - together with - Pottery and Porcelain Industries of Japan, Yokohama, Japan, Printed at the Japan Gazette Office, 1882, 8vo (6 1/4 x 9 in - 15.7 x 23.3 cm), 59 pp + 10 pp. Contains eleven (11) hand colored albumen photographs of 1) His Imperial Majesty, Mutsu Hito, Emperor [Meiji], 2) Her Imperial Majesty, Empress Haruko, 3) Ainos, 4) Samurai Warrior, 5) Coolie, 6) Geisha, 7) Vegetable Peddler, 8) Girl in Winter Dress, 9) Coolie in Winter dress, 10) Satsuma Vase, and 11) Kutani Plate. Prepared by Thomas B. Van Buren, the U.S. Consul-General in Japan. This book contains two reports which were originally printed in the Reports of the Consuls of the United States, No. 2, November, 1880, published by the Department of State. The reports as published by the US Government have been slightly modified (corrected) and supplemented with eleven (11) albumen photographs interspersed in the text. The photographs of the Meiji Emperor and Empress in this book are scarce early images. For more information on this book, click here. Van Buren held office from June 1874 until June 1885.